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Self-study of a Man in the Operating Theatre

Summary:

Dissection and reflection of the self and the post-self via poetry.

Upon winsome, manikin'd gentle men, incise my features
To paint the fine bones of my face as I implore of thee— 
Is this, a version so bravely hewn, yet allow’d
When to be beautiful is to offend—to be forbidden

Work Text:

Upon winsome, manikin'd gentle men, incise my features

To paint the fine bones of my face as I implore of thee— 

Is this, a version so bravely hewn, yet allow’d

When to be beautiful is to offend—to be forbidden

 

This structure doth cast me as lesser a man—a gor’d Adonis

Bleeding whilst one half is a dogged, waxen wraith

Begging for a resurrectionist from the blue river bed— 

And the other, lives an ethanol-suspended vivisection

 

Break splinter’d shafts off beneath flesh, beside tarnish’d organ ichor

Dear faithful Lyceus, with thine archer’s hidden kiss, a haemorrhage

Plac’d festering within each epicene Sebastian, twice beloved and bled

Torso to tongue as we weigh out consequences against disorganis’d hearts

 

Heed my pleas to carve away the misplac’d parts

Or cauterise, with another bright scar, this foul, belonging-disease

A hypoxic shape so form’d in ruinous error before a soul

Acts this vessel out like a fever’s end until it breaks

 

Tonight—or Tomorrow, cough up twin coins to pay

A century’s penance to lie with slivers of full-moon-mirrors

Reflecting on the blacken’d backs of mine eyelids

What I will ever be tormented to see, yet never be