Actions

Work Header

The Book of Miriam

Summary:

In 1932 Memphis, salvation costs too much, and sin might be the only freedom left. Her father taught her to fear the devil. He never told her that the devil might look like a man, or sound like a savior, or bleed music when he smiles.

Miriam Moore, older sister of Sammie Moore, ran off to Memphis to sing the Blues. Remmick is drawn to her voice and the power it hides. Music conjures spirits. Love invites ruin.

(Takes place in months leading up to the events of the movie.)

Chapter 1

Notes:

(Please heed the tags; without giving major spoilers, there is no explicit non-con between the major pairing!)

(See the end of the chapter for more notes.)

Chapter Text

The sun hung heavy in the sky, air thick with a summer’s heat, sticky as molasses on bare skin. Gold light dappled through the cypress trees behind the little clapboard church. She stood barefoot on the patchy grass under the shade, head tilted back and eyes closed to the sky. She was small then—eight, maybe nine—following the sway of her mama’s voice, feeling every word like it was wrapped around her heart.

Mama’s voice was everything. Sweet and low like the mourning doves at dawn, then bold and deep as the river. It wrapped around her like arms, filled up the hollows left by things folks didn’t speak on.

That day, Mama had scooped her up in the shade of the trees, dress smelling of flour and cottonroot, hands strong from scrubbing and stitching. Hands that now held tightly onto her smaller ones, spinning her around in a slow circle. The skirts of her mama’s dress spun with her, fluttering like wings, her laughter bursting out free and full, like a hymn no preacher could touch.

“You got somethin’ in you, li’l bird,” Mama said, laughter stealing her breath, hand brushing a little cheek with a tenderness that made the world feel safe, like nothing could ever break them apart. “That voice o’ yours—one day it gon’ lift folks’ spirits.”

She blinked up, all wide eyes and wonder, chest fluttering under her mama’s gaze, wondering if her mama could sense the song sitting there.

Then Mama hummed low in her throat and started singing:

Hush, li’l bird, don’t you sigh,

Mama’s gon’ sing you a lullaby…

If that song don’t soothe yo’ soul,

Mama’s gon’ rock you ‘til mornin’ gold.

Her mama’s voice curled around them like a blanket, soft and safe. Notes passed from one tired woman’s lips to another, carried down through the fields and kitchens and cradle boards.

If that rockin’ make you weep,

Mama’s gon’ pray yo’ soul to sleep.

If that prayer don’t bring you rest,

Angels gon’ guard that li’l ol’ chest…

She closed her eyes, leaning her head against Mama’s belly, breathing deeply.

If them angels fly away,

Mama gon’ hold you night an’ day…

An’ if you wake ‘fore mornin’ dew,

Mama gon’ sing again for you…

Then it shifted.

The wind changed, and the world dimmed. A shadow stretched across the yard, long and cold. The song faltered, just for a second, but that second sliced through the air like broken glass.

A heavy footstep cracked the stillness, and a voice boomed like iron gates clanging shut.

“Delilah was a singer too,” her daddy’s voice bellowed out, jagged and righteous. “Sang her way right into the Devil’s arms.”

The words crashed into her, the bitterness of her father’s voice sending a shiver through her bones. Judgement in every syllable. His shadow loomed behind them, tall and dark. The Bible clutched in his hand looked more like a weapon than a holy book.

Before she could even blink, her mama’s arm was yanked from her grasp and dragged toward the door. Her mama stumbled.

“Mama!” She cried out, her voice shrill, thin with desperation. Small legs kicking into motion, she ran after them, trying to chase the sound of her mama’s song, the fading rhythm of her laughter. Small hands stretched out, fingers trembling, reaching, struggling to catch even the edge of her mama’s dress. But her fingers caught only air.

“Mama, don’t go—Mama, please—!”

But the door slammed shut like thunder.

And the singing stopped.

It always stopped.


Memphis, Tennessee — June 1932

Miriam woke with the taste of sorrow caught in the back of her throat, thick like smoke.

She blinked against the harsh June light leaking through her window. She sat up slow, every bone in her body was feeling the weight of the dream, the ache it left behind stuck to her ribs. Her fingers moved along the leather pouch tied loosely around her neck—the old hoodoo bag Annie had made her. Worn, soft, smells of red clay and salt.

She hesitated.

Then tucked it beneath her blouse.


Miriam Moore wore her best dress—midnight blue with a scalloped hem that swayed like a lullaby when she walked—and she had pressed her hair the night before, even wrapped it in silk so not a coil dared misbehave. Her voice was warm in her throat, syrupy-smooth and full of grit. She was ready. Today was gonna be the day.

Her shoes hit the cracked pavement with a hollow echo, the sound swallowed by the din of the busy streets. She wasn’t quite sure why she thought she could make it here, or anywhere for that matter. But Memphis, she told herself, was where the music lived. The city throbbed with the heartbeat of the blues, and if she could make a name for herself here, she’d prove her father wrong. She’d prove that she wasn’t just a woman trapped in a house of rules; she was a woman with a voice that could shape the world.

She walked into the Beale Street heat like she meant to make something of it. She hit every club on her mental map—The Monarch, The Daisy, Pee Wee’s—even peeked into the low-end place where the stage leaned like a drunkard. She offered her name, her voice, her heart in one breath.

Same answer every time:

“We booked.”

“We only takin’ names for piano girls.”

“You sing gospel? Then sing at church.”

By late afternoon, her feet ached and her throat was raw with nothing to show for it. Her hands were damp, gripping the handle of her bag with her sheet music tucked inside that no one ever asked to see.

She found herself in front of a new building, sitting on the edge of South Memphis, just off of Beale. The sounds of a piano drifting out through the cracked door. Miriam straightened herself, trying to find the courage she didn’t quite feel.

A yawning colored boy with gold teeth and sweat glistening at his temples, barely glanced at her before muttering, “Club ain’t open yet.”

“I ain’t here for drinkin’. I’m here to speak with Mr. Cullins,” she said, lifting her chin, words carrying more confidence than she felt. “I got a voice. I’m tryin’ for a singin’ slot.”

He gave her a slow look, eyes scanning her from head to toe, like someone sizing up a chicken too small to pluck. Miriam had seen that look too many times in Clarksdale: the assessment of her race, her gender, her worth. It didn’t take long for him to make up his mind.

“Mr. Cullins don’t take singers straight off the street.”

“I’m not off the street,” she said. “I sang at Mt. Moriah choir for over 15 years, and I done a number at the Palace two weeks back durin’ open set.”

“Palace?” He squinted, scratching at his chin. “That the joint where the piano caught fire, or the one with rats bigger than cats?”

“Does it matter?” she said. “I ain’t lookin’ for no favor. Just five minutes of his time.”

The boy leaned against the doorframe and whistled low, not unkindly. His gold teeth flashed in a grin. “Girl like you—young, pretty, sweet as pecan pie—oughta find a man with cash and sing to him in bed.”

Miriam’s mouth tightened, heat rising to her face—and not just the Memphis kind. “I didn’t come here for no man.”

“This ain’t no revival tent, doll,” he said, his gaze lingering. “Not a charity. You sure you can handle it?”

Miriam clenched her jaw and squared her shoulders. “I’m sure.”

He raised an eyebrow, then gestured toward the open door. “Alright. Get in line and wait your turn. There’s a few others ahead of you.”

She nodded, forcing a smile, and entered the dimly lit room. The air was thick with cigarette smoke, the sound of jazz weaving through the haze. Her heart beat faster, but she took a seat in the corner, watching as the other hopefuls performed. They were older than her, seasoned—women with tight dresses and painted smiles. Miriam, in her modest dress, felt out of place.

As the hours passed, her turn never came. She grew restless, and the nervous flutter in her chest started to turn into something darker: doubt. Her hands, folded in her lap, began to tremble.

Finally, after what felt like an eternity, the boy from earlier came up to her.

“Sorry, doll. We’ve got enough talent tonight. Maybe next time.”

Miriam had nothing to say. She forced a smile and nodded, standing up slowly. Her legs felt heavy, and as she left the building, the evening air bit at her skin. She had failed before she’d even had a chance to try.

She walked away, shoes pinching with every step, but her head still held high. She kept walking, past the open market where fish stank and children screamed, past women taking down laundry hung on warped porches, past the place where that blind man always played slide guitar like it could raise the dead. Her bag slapped against her hip with every bitter step.

She didn’t let herself cry. Not until she hit the alley beside her boarding house. There, in the shade where no one could see, she slid down the wall and let her breath catch. The sobs came quiet and bitter. A hand muffling the sound.

She could still hear her father’s voice echoing like judgment:

“God gave you a voice to praise, not to parade. You leave this house, you leave your soul behind.”

She gritted her teeth. No. She hadn’t come this far just to crawl home.


She drifted down South Main, ducking under a rusting sign that read “WU’S HAND LAUNDRY” , she was swallowed by steam and the scent of starch. The air was thick with pressed linen and heat.

Behind the counter, Mei Lian stood elbow-deep in a basin of soapy water, sleeves rolled to the elbow, dark hair pinned back in a loose knot.

“Well, well,” Mei said without looking up, voice dry as gin left out too long. “Look what the cat dragged through cotton and regret.”

Miriam sank into the stool beside the counter with a groan. “They ain’t even let me hum. One man said I looked too ‘proper’. Another said I looked too ‘churchy.’ You ever heard such mess?”

“Nope,” Mei didn’t blink. “I only believe what I can bleach.”

Miriam shot her a tired glare and scowled. “You ain’t right.”

Just then, the shop bell rang and the front door banged open. Nabeel Khalil had come running across the street, nearly stumbling, dodging a delivery truck that screeched to a halt. His leather shoes slapped the pavement as he reached the door of the laundry, breathless and grinning, like he was seeing the light for the first time.

Ai yah, ” Mei muttered under her breath as she shook her head, watching Nabeel with a mixture of bemusement and exasperation. “The fool’s gon’ break his neck before he learns how to flirt proper.”

“Miriam!” Nabeel called breathlessly, pushing his curls back, voice warm and familiar. He stopped in front of the counter, chest heaving. “You light up this whole street, I swear to God.”

Mei snorted, and without missing a beat, “Boy, she didn’t ask for poetry.”

Miriam gave a soft hum. “You tryin’ to cheer me up or put me in a casket?”

Nabeel chuckled softly, leaning against the counter. “Tsk tsk, I didn’t mean it like that.” His voice dropped a little lower, almost like he was letting her in on a secret. “I’m serious, Miriam. You’ve got a voice that can stop time. When you sing, the world ought to be listenin’, but not everyone can hear what’s in your soul,” he said, unphased. “You’re the kind of woman songs get written for, you know?”

“He’s gonna make her head so big, she’ll be bumpin’ into the clouds,” Mei cut in from the back of the room, wringing out a towel. “Shame none of those songs pay rent.”

Miriam laughed despite herself, the heaviness inside her shifting for a moment. Then she slouched, looking down at her hands. “They still ain’t takin’ me seriously. I tried every place today, and nothing. It’s like they see me and think I’m just a kid in a dress, not a singer.”

“Well, if you’re serious about singing,” Mei said, her voice sharper than usual, but with a knowing glint in her eye, “I heard there’s an opening at The Hollow; they need help behind the bar, maybe let you sing back-up on Saturdays. Lottie’s the regular singer, but she’s drunk more than she’s sober. You show up clean and on time, you might get a mic by midnight. Ain’t The Monarch, but it’s paid.”

Miriam hesitated.

“It’s somethin’,” Mei said, sharp but not unkind.

She hesitated. “That place got a piano?”

Mei nodded once. “Busted, but there. Like everything else.”

“It’s somethin’,” Miriam murmured.

“More than your daddy ever gave you,” Mei said before she could stop herself.

Miriam flinched. The echo of her father’s sermons rose unbidden:

Music is a vanity, daughter. A woman’s voice is for scripture and silence.

Miriam muttered, looking down. “Better than nothing.”

But the truth of it hit her—this was all she was going to get. A bar job. Maybe a back-up singer. Maybe.

Miriam’s gaze dropped to her lap. She remembered the way her father’s voice would rise over the congregation, how he’d snap the Bible shut like a trap every time she dared to hum a hymn too softly, too sweetly. How he called her mama wicked for singing anything that wasn’t praise. How he buried her voice right along with her.

Nabeel, sensing her hesitation, gave a soft but encouraging smile. “I know it ain’t much, but you’ll find your way. I’m sure of it.”

Mei shrugged, the sarcasm softening just a touch as she added, “And you might even find a little bit of fun on the side, huh? Ain’t no harm in a good night out.”

Miriam sighed, the exhaustion weighing down her every step. “I’ll think about it,” she said, but it was clear to everyone there wasn’t much else to think about.

She stood to leave, the weight of the day settling back in her bones, but before she could reach the door, Mei added, almost too casually, “And for what it’s worth—you got more soul than most folks got sense. Don’t forget that.”

Miriam paused, looking back at her, surprised by the rare sincerity in Mei’s voice. Then, she nodded slowly.

“…Thanks.”

Notes:

Promise Remmick shows up in the next one!